There is this thing that happens to an artist while working in the studio. It is inevitable We all experiences it from time to time. It's like hitting a stone wall. Let me explain...You have this painting in progress. The problem is...it's stalled. There is no progress. It's trapped in a place. We stand looking, realizing that there are some very obviously things wrong, but more importantly...there is something elusively wrong too. Many times we continue to layer paint, add elements, squint at it, turn our heads to one side, stand with puzzled faces and sometimes just plain walk away in disgust!
My friend, Riitta and I also sometimes chose to put those paintings in 'time out.' I call it putting it in the closet. Riitta calls it the punishment box! We chose to laugh in spite of our frustrations, because in reality sometimes you just gotta laugh! So why the rambling over this inevitable circumstance? Well.... I've got this on an easel wasting the days away in a suspended purgatory...
|
Painting in Progress |
So...the obvious problems? Just above the mid-level area of this painting, the colors need to change. Obviously?... This painting is far from worked to completion. So why am I 'stuck?' It's been like this for days, without an answer. Sometimes, I will send an image to Riitta to get her take. But this time...I have just let it sit. Deep breaths...
|
Detail - Painting in progress |
Okay...so here's my solution. Well, it's not MY solution, it's one of those 'tricks' we are taught along the way. Perhaps, it's just a coping skill we learn...ya know, the skills all of us employ on a daily basis in an attempt to stay sane?!! I am going to put a Voodoo curse on this painting. Just Kidding! I thought I had ya there! (wink) I am going to simply
turn this painting upside down and start fresh...well, kinda fresh. I have something on this canvas and I am going to try and re-address it from another perspective.
Many times this technique will help me re-establish a color palette direction. Sometimes it will allow me to correct composition issues. Sometimes it is just as simple as forcing myself to enter stroke marks from a different direction which can change the overall energy or flow of the painting. I might also cover a few areas that aren't working for me with gesso. We shall see what develops in the upside down world.
Regardless...this painting needs the big 'switcherooy!'
So today...I'm flipping out!... uh wait... No. This
painting will be flipping over. Yep...Not me, the painting. Got it. (Sometimes it feels like both.) Ha! The key to being able to do this? Letting go... Whatever I thought this painting might be, is a thing of the past. Let's see what happens...
"Sometimes you have to let go to see if there was anything worth holding on to." Anonymous